DAK Catalog

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Unleashing a torrent of words like the Old Testament Yahweh sending down the rain required to float the famous Ark, Drew Allan Kaplan was as prolific a wordsmith as they come. He also possessed a rare genius for uncovering, and then putting up for sale, only the choicest detritus of the Pacific Rim manufacturing juggernaut. If there was some purportedly space-age, poorly-engineered, “bells and whistles” junk to be found out there, his adoring public slept easily at night knowing Drew would soon have some full color pictures and hyperbolic written descriptions of it before long. Sent, through the U.S. Mail, directly to their home.

His products were real marvels for an incipient computer age. DAK readers could buy 700 slider graphic equalizers that sliced and diced music into hair-thin strands of sound, ultra-low frequency sub-woofers the size of a kitchen table, telephone spying devices that allowed users to snoop on just not their daughter’s conversations but their next door neighbor’s daughter as well, flimsy Olivetti daisy wheel printers that had been assembled by workers not good enough to make the cut at the notoriously shoddy factory at FIAT, home doorbell boosters that allowed musically-minded families to choose their doorbell ring from over 15,000 public-domain songs, or desktop pollution zappers that claimed to be able to gather and convert dust mites into glittering nuggets of pyrite. And that was just the tip of the iceberg, so to speak.

It went on for page after page after page and while it was a great read, most people had the wisdom to enjoy it for what it was and keep their checkbooks safely in the top desk drawer. However, there were also of plenty gullible misfits, impulsive pinheads and pound-foolish rubes who couldn’t control themselves and smashed their piggy banks to smithereens every time a new catalog thumped onto their welcome mat. These benighted souls are still out there today, desperately clicking away on banner ads proclaiming “85 YEAR OLD YOGA INSTRUCTOR’S ANTI-AGING SECRETS” and “HOT MILFS IN YOUR NEIGHBORHOOD NEED SEX TONIGHT” whenever and wherever they pop up.

Teddy Ruxpin

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There was a brief time when the toy company Worlds of Wonder seemed like a truly magical place, a Willie Wonka-inspired (just check out those initials) toy factory that produced state of the art playthings that looked for all the world like minor miracles. Teddy Ruxpin “changed everything,” as they say. Finally, children could have a teddy bear that talked to them instead of just laying around in a heap most of the time. You could easily imagine Worlds of Wonder producing new and better toys year after year until by 2000 every child with the means would have their very own life-sized C3PO to boss around. It kind of didn’t work out that way (the company folded in 1990) but at least we had Teddy!

Or did we? In the light of day, Teddy was a boon companion, a joy to play with, a best friend. But there was a side to this bear that wasn’t so pleasant–when the batteries got low the toy exhibited a tendency to turn itself on at any time and emit terrible noises the Worlds of Wonder engineers had fashioned by recording the death throes of poisoned crows. The children, an entire generation of sweet innocents, didn’t know that the toy’s designers had meant it to be a “fun” way of telling them it was time to replace the batteries. All they knew was that they would wake up in the middle of the dark night to see their beloved Teddy’s eyes furiously snapping open and shut like castanets while his mouth emitted cacophonous shrieks. They would scream, wet the bed, faint and basically be scarred for life.

A supposedly new and improved version called Furby was released about ten years later, but anyone who has ever heard even one syllable of the Furbish tongue knows that these hairy plastic vermin were no “improvement,” but an even more insidious agent of devilment targeting our little ones.

It is no wonder the Millennials are are every bit as maladjusted as Generation X.

Duck Head

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Picture a 30 year-old low-tech equivalent of what the iPhone is today. Something that every person has or at least seems to have. Well, every single Southern male in the 80s had at least one pair of these pants and most had plenty more than that. There were four basic colors at first—khaki, navy, olive and a really cool gray, but they would later expand their range considerably including a Masters green that could be spotted from a distance of about 5 miles. They made shorts, too, and back then inseams were pretty short, all the better to let just a sliver of your boxers hang out of the bottom hem, a kind of tasteful obverse to today’s “urban” fashion of flashing your underwear above the waistband, although today’s irrepressible kids tend to show a bit more than a half-inch sliver, it must be said.

Quality control was far from the best—side seams had a way of starting where they belonged at the waistband only to twist around like a vine of ivy as they worked their way down to end up somewhere near the shoelace knot, but what did you expect for $24.99? Heck they might have even been $19.99, I simply can’t remember. The cotton twill was great, though–it would eventually get real nice and soft and the navy pants would fade into a truly unique shade of purple. Most importantly, the yellow square with the mallard’s head on it was as charismatic as a slapped-on exterior label ever got–the ugly black rectangle that is still used by Banana Republic is positively laughable in comparison.

In the 90s, general preppiness declined as people inexplicably started to consider nylon track bottoms and oversized below-the-knee basketball shorts acceptable staples of casual wear, and that coupled with a series of disastrous management decisions signaled the end. It was like someone had taken dead aim at this poor duck with a 20 gauge Remmy and the company plunged into the reeds. I think the brand has been bought out and attempted to be revived a couple times now, but it may be the world isn’t quite ready yet.

Cannonball Run I and II

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What could be more fun than to watch dozens of B and C-list movie stars cavorting on a cross-country death ride to meet up in Las Vegas to worship at the feet of their master, The Walkin’ Dude—Mr. Randall Flagg? Er, wait a minute I think I’m getting this movie mixed up with a BOOK by Stephen King called The Stand.

Let’s start again.

It was a late 70s Saturday night broadcast of It’s a Mad, Mad, Mad, Mad World that pretty much hooked me on madcap cross-country ensemble comedies, but unfortunately for me, Hollywood never really produced too many of them.  Enter Hal Needham and Brock Yates. They had a dream of doing a movie loosely based on a real coast to coast race known as the Cannonball Baker Sea-To-Shining-Sea Trophy Dash and they were lucky enough to have a good pal in Hollywood to help them along, and not just any good pal, but the #1 box office attraction in the land. His name was Burt Reynolds and he got the thing green-lighted with probably about as much effort as it took him to undo Loni Anderson’s bra every night. The movie did so well that three years later they produced a sequel, titled, logically enough, Cannonball Run II.

Herewith in ascending order of magnitude is a brief look at some of the stars who were involved in either one or both of these uproarious films:

Jimmy the Greek—Way, way before the nasty cesspool of Steubenville, Ohio made a name for itself around the world by institutionally covering up a heinous sexual assault, it much more quietly went about the business of producing upstanding citizens like this guy and Dean Martin. I think I like the old Steubenville better.

Jackie Chan—Speaking of Ohio, in the hopelessly xenophobic General Motors-centric Ohio town I grew up in people actually threw sodas at the screen whenever this guy appeared. Because they thought he was Japanese.

Jack Elam—A superlative character actor, but this character was a disturbing one to watch. I hope for the sake of his immediate family he didn’t “take this role home with him” as some actors claim to do.

Burt Convy—Nowhere near as cool as the movie of the same name, which starred Kris Kristofferson as “The Rubber Duck”

Terry Bradshaw—The guy called every offensive play (for both teams!) in four Super Bowls and never lost a one.

Mel Tillis—I always found it odd that a man could be so richly rewarded for mocking people (albeit including himself) with speech impediments, but people weren’t so uptight about things back then.

Adrienne Barbeau—Maggie from Escape from New York. The damsel in distress from Swamp Thing. How anyone with a pulse could not want to eat her up like a super-sized hot fudge sundae has always been one of life’s great mysteries.

Telly Savalas—He brought a gravity to his role as Hymie Kaplan that no one else could have delivered. Jesse Jackson later mentioned by name how impressed he was with this character and got torched for it.

Dom DeLuise—The beloved Falstaff of many a Burt Reynolds and Mel Brooks movie. If he ever managed to do or say one thing that made me laugh I certainly can’t remember it. But it seems like he was a kind soul.

Peter Fonda—“Crazy Larry” will always be an A-lister in my book.

Dean Martin—Vindicated in the 21st century as quite possibly the coolest cat who ever lived, but in 1981 he was considered to be little more than a drunken buffoon stuck fast in an era that had long been passed by. I can only imagine the fun Dean and Jimmy the Greek had on set reminiscing about their childhood days running errands all across southeast Ohio for their mentor “Dom the Guppy.”

Roger Moore—People always say he was the “worst” James Bond but I thought he did just fine. He used to ski in Gstaad with William F. Buckley and David Niven! What did the people constantly tearing him down ever do? Bumper ski down some potholed street by grabbing onto the back of some rusted-out Pontiac Bonneville? I thought so.

Shirley MacLaine—I think this is about the time people stopped taking her seriously and she just took the ball and ran with it.

Burt Reynolds—Although these movies did well, the sun was setting on Burt’s career around this time and gallivanting around like an idiot with a bunch of other idiots didn’t help things much.

Frank Sinatra—And Frank, oh yes, Frank. Mr. Sinatra lived so passionately for the champagne and “classy broads”—it’s a shame his last ever movie role was a spectacle that was roughly the equivalent of having a shaken-up can of warm Blatz dumped over his head while in the act of having unprotected sex with a $5 chickenhead hooker. On a public street. Nice knowing ya, pallie!

Chief Jay Strongbow

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Joe Scarpa never planned on sticking around the rough Depression-era Philadelphia streets where he was born. Because how much fun is it stealing apples from blind men and slathering them in Cheez-Whiz? He headed south as a teenager and spent decades navigating the murky waters of regional wrestling leagues under various names, but didn’t get his first big break until 1973, when he donned some Native American drag and showed up at that year’s Oscars to collect Marlon Brando’s statuette for The Godfather. Well, actually he rejected the award on Marlon’s behalf and gave a 25 minute speech on why it was wrong to litter. Then he shed a single tear that remains an iconic American image to this day. A young Vince McMahon saw the genius there, and brought him aboard the good ship WWF. Sacheen Littlefeather was never seen again and a man named Chief Jay Strongbow emerged as an instant fan favorite in a wrestling league that was about to take over the entire industry.

A fascinating background for sure, but let’s not forget the reason Chief Jay eventually received an obit in the New York Times. He simply had one of the coolest dances in history and I don’t mean just wrestling history but pop culture history. You can keep your Disco Duck and Macarena, I’ll take Strongbow’s War Dance any day of the week including Sunday. You can batter him, kick him, flip him over the ropes onto the concrete, but once those buckskin-clad feet started shuffling and those shoulders started rocking back and forth, every person watching knew the tide had turned. Tomahawk Chops would start flying in and then an expert application of the Sleeper Hold would leave his opponent crumpled on the canvas like, well, like a sack of stolen apples covered in Cheez-Whiz.

By the time I started watching him, the guy was already 54 years old. That’s a dedication and a commitment to craft anyone would be proud of. Did I mention he got an obit in the New York Times?? Junkyard Dog and Big John Studd were lucky to get two sentences over the AP wire.

PONY Footwear

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It’s not very often that the world of boxing crosses over into the world of fashion. (UFC is another matter–and decade–entirely, although I think we can all agree that the person or persons who created the TAPOUT line of apparel can never be forgiven) I did know a pretty fashionable guy who used to wear a pair of boxing gloves when he played guitar, but that was in a joke band plying their trade in a sub-genre they call “noise rock” and so doesn’t count for much at all.

Ponys were different; they weren’t just some British Knights-type deal created out of thin air to cash in on the “sneaker craze.” Real boxers wore real Ponys into the ring and sometimes even emerged  with real championship belts wrapped around their waists. How much cachet that had among consumers is hard to say. I mean, Converse had Magic and Larry Bird, Reebok had ‘Nique, and of course Nike would soon reel in that young kid down in Chapel Hill who would one day become so famous he’d make a movie with Bugs Bunny. Meanwhile, Pony had the coked-up pugilist/anarchist Leon Spinks–the man who shot Muhammed Ali in an East St. Louis Hardee’s parking lot!

The question “Who wore Ponys?” may never be answered. Kids who weren’t too bright? Latchkey kids? Bullies? I personally thought they were cool but never had a pair. I can’t even remember if the big chains like Athlete’s Foot and Foot Locker carried them or if they were relegated to the wire mesh bins of Woolworth and Kmart with the Wilson Batas and Traxx. If you search for “Pony Basketball Shoes” on Google, you get 127 hits. Using Bing brings up just 78 results. Try it with Alta Vista and you get an Error 404 message. I think these shoes deserve a lot more recognition than that, but we may end up having to rely on the incandescent minds and fearless vision of the hipsters to bestow upon them a proper revival.

Rebel Yell (the record)

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Billy Idol had already provoked the question “Who is that creep?” from my father as he peeked over his Wall Street Journal one evening during a Radio 1990 broadcast of the promotional video for the song “White Wedding,” but at that point not too many people knew enough about the guy to really say.

“White Wedding” was a minor MTV hit from Billy’s self-titled first album with a low-budget video that had been shot in some Home Counties churchyard. For his next album, Rebel Yell, William threw all his chips into the pot and hightailed it out to Hollywood, where there were endless rows of Yank birds to shag, endless lines of coke to hoover up, and endlessly energetic videos to make. His pursuit of video immortality was so dogged, he was even willing to blind himself for the sake of recording some memorable imagery, ironically for a song called “Eyes Without a Face.” For three days after this particular shoot Billy was literally a “face without its eyes” as the 30 straight hours of posing and sneering in front of smoke machines had fused his contact lenses to his corneas!

With four video hits and two additional tracks notching tons of AOR airplay, Rebel Yell was a monster record that perched Billy pretty much near the top of the pile during 1983-1984 and the dude sure looked like he was enjoying it. Of course the “secret sauce” to all this popularity had those very same initials. His name was Steve Stevens and he wrote just about every note of music on an album that stayed in the charts for 70 weeks.  But Billy, ever the egotist, immediately started easing his partner out of the picture. Stevens would only receive songwriting credits on roughly half of Whiplash Smile and then he was gone. And so was Billy’s career. Within ten years he’d be releasing something called Cyberpunk, a whacko reinvention about as convincing as that time George Herbert Walker Bush “dropped in” at J.C. Penney’s to buy socks.

Today, the “rock of youth” mentioned in “Catch My Fall” is a pillow of pebbles, pebbles that are getting smaller with each passing day. Before we know it, it’ll be a pile of dust. For all of us. So make sure you head out onto that Blue Highway as much as you can while you still can…Billy sez so!!

Rebel Yell (the bourbon)

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All you had to do was look at the label and it was right there in maroon letters on a parchment ground: “Especially for the Deep South.” There was a time, and that time stretched as late as the 80s (the 1980s, not the 1880s) when you literally could not purchase this bourbon anywhere north of the Mason-Dixon line. It wasn’t just legend, it was fact, and woe betide the distributor who tried cross it. History does indeed record at least a half-dozen skirmishes between bootlegging agents of rogue distributors and hastily mustered irregulars determined to defend the distillery’s wishes at any cost in border towns like Delmar, Maryland and Cheat Lake, WV.

Speaking of the label, it was a wordy one, making this bourbon a great drink for college students because along with your hooch, you’d also receive a brief history lesson, reprinted here in full:

“The rebel yell, one of the most enduring legends of the war between the states, was infused with passion, commitment, and honor. Those same qualities are what make Rebel Yell Kentucky Straight Bourbon Whiskey the true taste to embody our country’s storied history. Fourteen years prior to the great battle of Chickamauga, Georgia, the first bottle of Rebel Yell was produced. Its heritage still lives on to this day.”

At the time, I was “able” to drink an entire bottle of this over the course of a weekend–half on Friday night, half on Saturday night. Rather than fuss with the expense and maintenance of a glass or even a red Solo cup, I seem to remember walking around various dorm mixers and parties with a bottle of this in one hand and a chilled can of Coke from the laundry room vending machine in the other. I would basically take a swig of bourbon and then chase it with Coke, repeating as necessary until incoherent and unable to stand. I believe the medical term for this type of behavior is “Acute Assholism.”

These days, the geographic embargoes seem to have been lifted as I recently had no trouble at all purchasing a bottle in the liberal, heathen West Coast city of San Francisco, and for only $14 to boot! Thankfully, this time around I managed to consume this tasty throwback to the past in a much more civilized manner.

Cadillac Cimarron

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By 1982 Cadillac had spent roughly 80 years building and then polishing its brand into one of the most respected around. “The Standard of the World” they called themselves and for a long time they could still utter such lofty proclamations and actually keep a straight face. It was true a few chinks in the ol’ crest and wreath had started to appear during the 70s in regards to that always important little thing called “reliability” but the marque was still producing some larger-than-life, desirable cars in that decade. 70s Eldorado Convertible, anyone? Yes, please–Bum Phillips had six of them. It all went horribly wrong, though, in 1982, when a bunch of automotive apostates at GM decided to urinate on the grave of Antoine Laumet de la Mothe, sieur de Cadillac’s grave by “designing” and then offering for sale an object they called the Cadillac Cimarron. It sounded like something you’d sprinkle on buttered toast, but lots of fine automobiles have had weird names. The only problem was that the Cimarron fell about 100 miles short of being a fine automobile.

Let’s see, a four cylinder engine in a Cadillac? Seems weird. A body that looks distinctly like a Cavalier? Even weirder, huh? Wait a minute, isn’t that…no, it couldn’t be…but shit, look at it. Hell, it IS a Cavalier! For just shy of twice the price of a Cavalier, the lucky consumer would receive pretty much the exact same auto with some pretty badges screwed onto the hood and trunk and leather seats cut from the hides of diseased, USDA Grade Z bovines. Oh, and “courtesy lights”–mustn’t forget those. Not exactly the bargain of the century and even die-hard GM loyalists with questionable taste saw through this little scam. Nobody bought it, and the one guy I used to work with who did, (albeit in used form ten years after the fact) was a total tool and would have still been such even if he had somehow wound up behind the wheel of a 1969 Lamborghini Miura. Water finds its own level, as they say.

The Cimarron helped start a downward spiral for a once venerated brand that’s only been reversed in the last five or ten years, although I must add, GM’s decision to remove the DUCKS (they’re actually called merlettes but no sane person would know that) from the Cadillac crest earlier this year was absolute fucking bullshit. I don’t know any other way to say it.

Earrings on Guys

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This fad swept through the high school halls and shopping malls of the 80s like a bad virus. It was an epidemic that left school administrators scrambling to re-write dress codes and parents wringing their hands in outright consternation at just “what” their little Johnny had become.

Now, in those days you couldn’t just saunter up to your local Piercing Pagoda with a coupla cans of Milwaukee’s Best in ya for courage and say “Pierce my ear, por favor.” You had to pick the right ear to get pierced and the right ear in the 80s was the left ear. That meant you were straight. If you got your other ear pierced there was going to be trouble at school before the first bell even rang, regardless if you liked guys or not. Actually, in most places it really didn’t matter which ear you had pierced—the sight of a traditionally female piece of jewelry pinned into the flesh of a male classmate was bound to enrage some poor lunkhead, or group of lunkheads, and a few names were going to get called at the very least, most of them beginning with the letters “F” or “Q.” If you had really bad luck, you’d get your nice Captain Morgan-inspired gold hoop ripped right out. Such was the tenor of the times.

Things simmered down pretty quickly, however, as more and more guys started sporting them and MTV certainly helped mainstream the look with its endless imagery of pop stars of every musical genre and sexual persuasion jumping around in music videos with all sorts of things dangling from all sorts of places. Nowadays, the crazy kids somehow contrive to insert plastic or wooden discs the diameter of 90s sensation POGS into their lobes, so a little quarter-carat cubic zirconia in the left ear of the 1984 Prom King doesn’t seem so quite so outrageous, does it?