Tones On Tail

tonesontail

As I flip through the nice booklet that comes with the two disc CD compilation rather unimaginatively titled Everything!, I see that Tones On Tail played Peabody’s Down Under in Cleveland, Ohio on October 15, 1984. I wasn’t there. This still rankles me to this day, in fact it’s a veritable pine cone in my shoe with every step I take, even so many years later. Why wasn’t I there? Well, not because I didn’t have “gas money” to get up to the Mistake By The Lake from my own Mistake By The Mahoning River 60 miles south, not because I was grounded for bad grades, not because I “blew it off” to watch the debut episode of Murder She Wrote (you remember the one–Lou Ferrigno plays a mentally-deficient, green-skinned monster who throws a small girl picking daisies into a babbling brook.)

It was because I didn’t know the group existed at that point.

Sometimes you discover things a few years late. I think I first heard “Rain” on WUOG pretty much the first week of school and almost fell off the childish Brady Bunch-style bunk beds UGA provided their matriculating young adults smack onto the floor. Because it was such a hauntingly beautiful song. The next day I went over to Ruthless Records and bought a copy of Pop on vinyl. With a handwritten check. But whatever. What’s important is that Tones On Tail were darn near perfect. Every single track they laid down was great, even that “Heartbreak Hotel” cover that sounds like it was recorded underwater. And for the entirety of their career, they were barely a real group. It was all just a bunch of dicking around. A silly, frivolous lark in between the two “important” bands Bauhaus and Love & Rockets. That’s too bad, because I like Tones On Tail better then both of those quite worthy groups.

In an era lousy with Sunset Boulevard metal “dudes who looked like ladies” Daniel Ash boasted a fetching pair of impeccably-painted lips even the straightest high school jock wanted to kiss. I’ve actually been told this by several former NFL football players! Kevin Haskins was the Topper Headon of the Goth set–the guy could play any style Danny Boy threw at him, and that was quite a lot because they laid down 25 tracks in pretty much 25 different styles. Finally, bassist Glenn Campling did just fine for a guy whose hair was the color of straw. (That is, I think it was the color of straw–these guys never once allowed themselves to be photographed with color film–it may have been Warhol-white.)

Did I say I liked this band a few sentences ago? I meant to say LOVE.

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