This is a tough one to write. I mean, Mallory Keaton (born in 1966 as “Justine Bateman”) obviously means the world to me and after her TV series ended, well, she had to do something, didn’t she? Apparently, she scrawled her John Hancock on the first script to come across her kitchen table, and in hindsight, it wasn’t the best choice she could have made. They say a journey of a thousand miles begins with a single step, but Mallory’s first post-Family Ties footstep sent her in the completely wrong direction and her subsequent career ended up being a voyage of about six or seven meters, a fair measure short of a thousand miles.
Okay, it may have been that she was bound and determined to shed her vaguely prep, barely sentient (but still so very, very hot) Midwestern good girl image, but for her to attempt to portray a rebellious rock n’ roll singer right out of the blocks was just too much and too sudden of a jump. Did we see Shelly Long hamming it up as Nancy Spungen in Sid and Nancy or Erin Moran breaking out the electrical tape to play Wendy O. Williams in The Story of the Plasmatics? No, we did not. I remember I happened to stumble upon this movie while it was playing in the background at some party during the scene where Mallory’s character is trying to stir things up by shouting out some anti-authority slogans during a high school graduation ceremony and instantly bursting into tears at how wrong it all was. It got even worse when she ends up being the lead singer in a “rock band” since neither she nor the people writing and filming the movie have the faintest idea of what a rock band, or even rock music, is. It’s all as genuine as margarine and just as sickening, I’m afraid, reaching a low point when Mallory starts banging on a cowbell with all the earnest ridiculousness of some bell-bottomed member of Foghat.
The entire project isn’t helped by having Julia Roberts slinking around its edges–playing bass guitar in mom jeans, of all things. I have never for a single second found this woman sexy, lovable, charismatic, or even a halfway decent actress. America’s Sweetheart?? You have got to be joking. I mean at least she’s tall, but I’ll take Sigourney Weaver or even Wendie Malick the next time I want to look up at a famous actress as we leave a fine restaurant hand in hand after enjoying a delicious meal I haven’t paid for. In fact, I blame HER for forever sullying Mallory’s good name. Sometimes, it’s okay to be irrational.